12 days ago
Forbes Oct 26, 2026

Kesha Drops ‘Backstabber’ Video After 16 Years In The Pop Vault

Kesha has officially released the long-shelved music video for her 2010 track “Backstabber,” remastered in 4K, after it sat unreleased for 16 years. The video, filmed in Los Angeles in 2009 on a very low budget with friends including future RuPaul’s Drag Race contestant Detox, was originally sidelined when her label opted to debut her with “TiK ToK” instead. Despite never being a single, “Backstabber” maintained popularity, circulating on TikTok and live performances through the years, proving organic demand for the song.

Originally intended as Kesha’s debut single, “Backstabber” was a scrappy, DIY effort with costumes made from trash bags and choreography rehearsed at Ryan Heffington’s house before he gained fame. Even without a formal push from her label, the song became a fan favorite, regularly featured on Kesha’s live setlists and resonating with audiences on platforms like TikTok, where it became a sound associated with call-out content. Its performance at Lollapalooza 2024 exemplified Kesha’s ongoing connection with the track despite its unofficial status for so long.

This release coincides with Kesha’s recent move to independence after launching her own label, Kesha Records, in partnership with Warner’s ADA in 2024. Positioned as part of her ongoing post-contract creative freedom, the remastered video release required minimal new investment—no new recording or shooting—leveraging the existing asset and the compelling backstory to engage both old fans and new listeners. The timing also cleverly aligns with the Halloween season, creating additional thematic resonance for the song’s title and content.

From an industry perspective, Kesha’s release demonstrates an effective strategy for reactivating legacy content through catalog marketing. By digging into vaulted materials, enhancing their quality with remastering, and promoting them with authentic origin stories and timely hooks, artists and labels can generate fresh interest without the overhead of new productions. This approach highlights how old songs are dynamic assets that can benefit from strategic spotlight moments, a practice Kesha is using to reclaim and redefine her earlier work on her own terms.

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